A RECENT GUARDIAN article examined the current ‘explosion’ in feminist grassroots activism in the UK. New feminist groups are on the rise there, and the intensification of people’s engagement with the feminist movement is being attributed, to a large extent, to young women and men.

Pupils as young as seventeen are reported to have organised in protest against local shops selling magazines that objectify women. There is, thus, a newfound enthusiasm for feminism, spurred by the obvious inequalities that still pervade our so-called liberal democratic societies.

Ireland is no exception in this regard. Recent years have seen a resurgence in feminist activism in Ireland, with new groups like the Irish Feminist NetworkCork Feminista and Feminist Open Forum forming a conduit for people eager to express their dissatisfaction with the status quo and willing to proffer alternative visions for the transformation of social and political structures. Groups focused on specific feminist themes have also sprung up, with the 50:50 Group focusing on women in politics, for example, or Women on Air concentrating on women in the media.

While Ireland has, of course, a continuous history of women and men advocating for changes in gendered power imbalances, and these new groups undoubtedly benefit from the insights and support of their activist forbearers, there is something unique about this particular moment in time which makes it conducive to oppositional political activism.

Mistrust and exasperationThe mistrust and exasperation people feel at the way the country has been mismanaged and brought to financial ruin, has in fact resulted in a general questioning of the wisdom of those in authority, and has ultimately spawned a climate relatively hospitable to a whole plethora of activists, who are not just content with accepting the current state of affairs.

Many of these critically engaged advocates believe that the correctives needed to redress the failings of those in charge are not being implemented – or that they are being meted out unfairly, making certain members of society pay more than others. They resist such unfair treatment at the hands of the powers that be, and bring different perspectives to problems that are frequently portrayed monolithically and in ideologically uniform ways.

Ireland’s activist groups thereby provide alternative analyses of the issues negatively affecting people, or indeed identify certain issues as being problematic in the first place.

In a society where political decision-making still rests in the hands of a largely uniform and unrepresentative body of politicians, and where the news media regularly excludes large swathes of people, it is essential that Ireland’s activist groups voice not only dissent, but also proffer creative solutions that will result in a more just, equitable and therefore stable Ireland. Feminist activist groups are doing precisely that, and are thereby contributing to a more vibrant civil society, which comes complete with demands for increased accountability and transparency.

While the momentum for change is palpable, we should not underestimate the challenges feminists still face. It is precisely the entrenched nature of issues surrounding women’s objectification in the media, denial of reproductive rights, or lack of affordable childcare – to name but a few – that is driving people’s (re)engagement with the feminist movement, but that also highlights the enormity of the task at hand.

The ‘silent majority’In some cases gender inequality is perpetuated by hugely powerful industries, such as the fashion and beauty industries, and in others, it stems directly from political decision-making that disempowers women and children in particular.

In order to be maximally effective in working toward increased gender equality, feminist activist groups need to build upon their momentum by capturing the spirit of the ‘silent majority’ . That is, the very people who are affected by the issues – for gender inequality affects us all – but who may not be willing to express or act upon their negative experiences. Given the years of backlash against feminism, and its portrayal of feminists as hairy-legged men-devouring monsters, this is a tall order for a reinvigorated movement, but one that is nonetheless achievable.

The environmental movement, which similarly saw its members reduced to tree-hugging hippies, has managed to make the green agenda palatable to the mainstream. Indeed, political parties are now eager to proclaim their ‘green’ credentials, and being concerned with issues of environmental sustainability is no longer looked upon as a radical or outlier position, but rather as the norm.

Building upon its achievements thus far, the feminist movement can and must now follow suit by rearticulating social and political norms, thereby making gender equality the new standard of normalcy. We have already begun to do so by achieving gender quotas, for example, or by getting tangible commitments by government on the issues of sex trafficking and reproductive rights.

In a climate that is hospitable to proposals for wide-sweeping change, and where people are questioning traditional understandings of social and political issues, what could be more normal than the normalisation of gender equality?

Dr. Clara Fischer
IFN Co-ordinator

Cross-posted from thejournal.ie, Thursday 10th May 2012
http://www.thejournal.ie/readme/column-feminism-is-on-the-up-again-–-but-it-needs-to-be-for-everyone/
 
 
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We owe it to both young women and men to change media messages which repeatedly reinforce harmful norms of masculinity and femininity. By Clara Fischer.

With the drama of the Oscars over for another year, it might be time for reflection on the messages the film industry, and particularly Hollywood, is conveying on a near-global scale. Messages in film? But surely the entertainment industry is simply about that: entertainment? Not so: research shows that what might seem like light-hearted comedy or action-packed drama, is in fact increasingly gendered – that is, it portrays women and men in pointedly stereotypical ways. Worryingly, this phenomenon is having extremely negative effects on women and girls. A recent report by the American Psychological Association cited impaired cognitive ability, depression, low self-esteem and eating disorders as consequences of the sexualisation of women and ever-younger girls through the media.

While films constitute only one particular aspect of the onslaught of objectifying and sexualised images within the larger 24 hour media cycle, they give us a particular insight into the cartoonish nature women are assumed to hold, but also to accept as audience members. Women usually star as the love interest, the princess to be rescued, or as the general supporter of the male protagonist, lurking somewhere in the background as a Side-Show Berta. Alternatively, as we know from such movies as Lara Croft: Tomb Raider, women are hyper-sexualised and dangerously assertive. This latter variation on the theme should not be confused with a kind of liberated and independent agency, but rather constitutes another example of the reductive and objectifying view described in the literature as the ‘male gaze.’ Beauty lies in the eye of the beholder, as they say, but who is the beholder?Certainly the filmmakers, producers, and studio bosses are overwhelmingly male, and overwhelmingly white and upper/middle class. Is it any wonder, then, that their experiences and stories are told, while women’s fall to the wayside? Even when women’s stories are told, though, they usually come in chick-flick form, which means they revolve around getting, keeping, or regaining a man – hardly a faithful depiction of the very complex lives we lead, yes, as partners, as mothers, as lovers, but also as workers, as leaders, as teachers, as writers, as politicians, and the myriad of other roles we may adopt in our daily lives.

A simple way of highlighting the lack of meaningful portrayal of women in movies is the Bechdel test, developed by Alison Bechdel in her comic strip, The Rule. According to the test, a film has to fulfil three criteria to pass: 1) the film has to have at least two women in it 2) these two women have to talk to each other 3) they have to talk to each other about something other than a man. This minimum of women’s relatively substantive inclusion in film is rarely achieved. Indeed, the majority of our most cherished movies fail to fulfil the principles of the Bechdel test. That is not to say that these movies can’t be good or inspiring pieces of cinema, but rather that the clear absence of women in film is a systemic problem. It is the sheer scale of women’s omission from movies, which makes the test so powerful and damning.

As noted, on those rare occasions where women do star in more sustained roles, perhaps even as the protagonist, those roles are increasingly stereotyped. Not only is this trend particularly damaging for younger female viewers, who adopt self-objectifying attitudes and behaviours, but it feeds into a larger raunch culture which ultimately disempowers women by promoting women’s sexual availability or physical appearance as the sole measure of our worth. The financial return for such a culture is of course handsome: the peddlers of beauty and slimming products, of unnecessary surgical procedures, and of dietary programmes and fads are indeed rewarded by the heightened anxiety women feel about their bodies, and ultimately, themselves.

And yet, there appears to be a weakness in this profit-driven model of women’s objectification: women might actually opt out. In a recent interview, Meryl Streep made this point by noting that the clichéd depictions of women in film might actually drive women away, thus leaving the profiteers minus a fairly large demographic. Films such as MissRepresentation, which highlight the complex and often negative role the media plays with regard to women’s portrayal, have also met with a level of enthusiasm which clearly indicates a groundswell against the stereotyped images women are bombarded with on a continuous basis. It seems that the mainstream movie industry has confused the beholders of beauty, their female viewers, with the reductive cartoon characters they assume them to be, instead of recognising them as the critical, thinking human beings they really are.

While opting out and critically engaging with the media is a viable option for media-literate adult audiences, it is less so for those who are still developing a sense of themselves. We owe it to these young women and men – for gender-stereotyping similarly skews boys’ attitudes and identities – to change the media messages, which repeatedly reinforce harmful norms of masculinity and femininity. One way of doing this is by simply taking our purchasing power elsewhere, by withdrawing economic support from the culture of objectification. If we believe Simone de Beauvoir’s famous dictum that “one is not born, but rather becomes, a woman”, we seriously have to question what kind of women, and men, our society is fostering.

Dr. Clara Fischer 
IFN Co-ordinator

Cross-posted from Politico.ie, THURSDAY, 05 APRIL 2012 14:01 CLARA FISCHER

 
 
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Accents Coffee Lounge
The IFN Book Club, managed by the awesome Lisa Wixtard, is one of our most regular and long running events. If you’re looking to get involved or just meet some keen IFNers, coming along to the monthly book club is a great way to do it!

We meet on the first Tuesday of every month at 7pm in Accents Tea & Coffee Lounge on Stephen Street in the City Centre. The book for each meeting is decided at the previous one based on member suggestions and we try to strike a balance between fiction and non-fiction.

Don’t feel you have to have read the book to attend! Discussion of the book usually lapses into more general discussion of the issues raised by the book to the delight of all present. Here’s a list of what we’ve read in the past to give you an idea of what we’re about…
  • Living Dolls, Natasha Walter (July 2010)
  • The Wide Sargasso Sea, Jean Rhyss (September 2010)
  • Reclaiming the F Word, Catherine Redfern (October 2010)
  • The Purity Myth, Jessica Valenti (November 2010)
  • How to be a Woman, Caitlin Moran (September 2011)
  • The Handmaid’s Tale, Margaret Atwood (October 2011)
  • Backlash: The Undeclared War Against Women, Susan Faludi (November 2011)
  • Sisters: The Personal Story of an Irish Feminist, June Levine, (December 2011)
We hope to begin updating this blog with reviews of the books we discuss, so watch this space! Hope to see you at the next book club:

Tuesday, December 6th, 7pm at Accents Tea & Coffee Lounge, Stephen Street to discuss

See the Facebook group here and also check back to our site regularlly for updates!